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(DE)COMPOSITION
MFA Thesis 2023
Speculative Design
Introduction
Design to nurture
Design to care
Design to collaborate
Design to nurture
Design to care
Design to collaborate
Nature's cycles, such as life,
death, and decay, often conflict with the artificial practices of graphic
design. I, therefore, declare the death of graphic design to allow the rebirth
of a new methodology that embodies these cycles to strengthen the connection to
Land and the creation of meaningful communications.
Researching, interviewing, nurturing, growing and harvesting (DE)COMPOSITION is a glimmer of what a living practice could be. The publication is Perfect Bound using the bacteria sheet grown, and inside is the collection of vast experiments, recognitions, and reflections.
Birth:
Bacteria & Material
When exploring the death of graphic design (DE)COMPOSITION focused first on one collateral—a poster. Asking the question, how is a poster born, live, and die? How does the production of the designer provide a cycle of reciprocity to its environment?
It begins with materiality, with a mixture of bacteria, heat, tea, sugar, yeast, patience, and care. Five bacteria sheets were born, then dried by the sun, and printed onto using biodegradable ink. All are to be decomposed in a matter of months.
Life:
Language
To live is to communicate, whether to other creatures or the body's own internal communication and reception of existing. Collaborating with Myxogastria, a slime mould, it built its own language. Providing a new Roman alphabet that communicates inter-species. The Romans used chisels to carve their alphabets, and I collaborated with slime.
Life:
Printing Matter
Printing Matter
The sun is a printer! Chlorophyll is the ink, and leaves are the paper. Utilizing the UV rays, with shapes and transparencies placed on the leaves, creates a chlorophyll print. However, the exciting part is witnessing the change of colour in the leaves, bearing witness to the decay of the piece.
Death: (De)Composters
Death is the most natural process in life; Designers should not fear death but rather embrace it, as it can lead to innovative strategies in sustainability. All waste produced was fed to the earthworms, producing rich compost for the surrounding environment. In this case, the compost was provided to my herb garden. In return, I consumed my design and became one with the cycle.
Genesis
The genesis of (DE)COMPOSITION began with a zine. Graphic design aims to be timeless, as seen in using anti-fungal inks and paper that does not allow for decay but also no after-thought of the life after the product. I introduce a new methodology that considers the designer's and Land's relationship. A process of nurture and healing, questioning the assumptions we make as designers. I learned to question everything in our practice, allowing me to expand my thinking and explore different ways of communication, from mycelium to bacteria, worms, and slime.
